DeepMind’s journey chronicles the chase for AGI, the new fire destined to reshape civilization. From the digital sandboxes of Atari and the ancient silence of Go, its self-taught learning machines rose, proving that true general intelligence could be birthed from scratch.
As the AGI “boulder accelerates down the hill,” the film is an urgent call: the thinking game is won, but the moral stewardship of this boundless new power has just begun.
We briefly lived in an era in which the photograph was a shortcut to reality, to knowing things, to having a smoking gun. It was an extraordinarily useful tool for navigating the world around us. We are now leaping headfirst into a future in which reality is simply less knowable. The lost Library of Alexandria could have fit onto the microSD card in my Nintendo Switch, and yet the cutting edge of technology is a handheld telephone that spews lies as a fun little bonus feature.
We are fucked.
Perverse? Yes. Blasphemous? Maybe. But not irreconcilable. To contemplate the meaning of Jodeci is to grasp at the intersection of religion and excess, of devotion and abandon, of agape and eros—a space where holiness and hedonism coincide. Sacred and erotic poetry, after all, are not dichotomous, but rather the most intimate and ancient of bedfellows, from Sufi mysticism to Ovidian elegy. The meme may be “If the Love Doesn’t Feel Like ’90s R&B I Don’t Want It,” but literary history knows that Jodeci’s ars amatoria continues a millennia-old poetic program that welds the object of affection to something of the divine, a slippage between the beloved and the god, which the poet-scholar L. Lamar Wilson describes as “sacrilegion,” a never-ending hunger for the unattainable object of erotic perfection.
As I’m writing this, my son is downstairs watching YouTube videos. When we have dinner, he’ll stream music on an iPad, typing song titles into the app’s search box either from memory or from a list we’ve written down (at his insistence) on paper. He’ll eat while stimming, except for when he takes a dance break.
There’s no app, drug, or device that’s going to transform my son or his interactions with others. And that’s just fine. He’s doing great and anyone who chooses to listen, who chooses to put in a little work, can meet him where he is.
I have a job to do. If I were constantly worried about death, I couldn’t function. After a while, if your life is more or less constantly in peril, you come to a point where you accept the possibility philosophically. I must face the fact, as all others in positions of leadership must do, that America today is an extremely sick nation, and that something could well happen to me at any time. I feel, though, that my cause is so right, so moral, that if I should lose my life, in some way it would aid the cause.
Abnormal Capitalist 