The recordings that burned up in the Universal fire — like the songs that are blasting from car windows on the street outside your home, like all the records that you or I or anyone else has ever heard — represent a wonderment that we have come to take for granted. For most of human history, every word spoken, every song sung, was by definition ephemeral: Air vibrated and sound traveled in and out of earshot, never to be heard again. But technology gave humanity the means to catch sounds, to transform a soprano’s warble, a violin’s trill, Chuck Berry’s blaring guitar, into something permanent and repeatable, a sonic artifact to which listeners can return again and again.
That night, as darkness enveloped the family’s three-story mud-brick compound, Wasil’s uncles shuffled Hamidullah’s bloodied corpse inside. The boy drew close, his cheeks wet with tears. In the low light, he could see the blood that stained his father’s clothes. He was a child, yes, but he knew enough of his world to realize, without even asking, who had killed his father. And he knew what it meant for him.
In the weeks that followed, Wasil’s anger hardened into a grim and brutal ambition—one that would launch him toward fame and then toward tragedy. “Teach me how to shoot,” Wasil said to his uncle Samad when he had resolved himself to retribution. “I want to kill my father’s killer.”
This didn’t just threaten Oesterlund’s fortune. It also had the potential to carve open a portal into the world of offshore finance, a place that the global elite has spent hundreds of millions of dollars to build and defend. In the offshore archipelago, their interests are hidden behind shell companies and trusts, their anonymity guaranteed under the law, from Delaware to the Bahamas to the South Pacific. James S. Henry, a former chief economist at McKinsey, calls the offshore financial world the “economic equivalent of an astrophysical black hole,” holding at least $21 trillion of the world’s financial wealth, more than the gross domestic product of the United States.
And yet the rise of machine learning makes it more difficult for us to carve out a special place for us. If you believe, with Searle, that there is something special about human “insight,” you can draw a clear line that separates the human from the automated. If you agree with Searle’s antagonists, you can’t. It is understandable why so many people cling fast to the former view. At a 2015 M.I.T. conference about the roots of artificial intelligence, Noam Chomsky was asked what he thought of machine learning. He pooh-poohed the whole enterprise as mere statistical prediction, a glorified weather forecast. Even if neural translation attained perfect functionality, it would reveal nothing profound about the underlying nature of language. It could never tell you if a pronoun took the dative or the accusative case. This kind of prediction makes for a good tool to accomplish our ends, but it doesn’t succeed by the standards of furthering our understanding of why things happen the way they do. A machine can already detect tumors in medical scans better than human radiologists, but the machine can’t tell you what’s causing the cancer.
There was a canopy of leaves over my head. Once I moved beyond it, the moon lit my path, so I turned off the flashlight. I’d expected Carol to be gone by that point, but for the next half mile, all the way home, she walked with me, sometimes by my side and sometimes a few steps ahead, leading the way. No cars approached or passed. The road was ours, and we marched right down the center of it, all the way to the front of the house and then through the garden gate to the kitchen door. Just me and my wild friend Carol.
It was the Lufthansa heist of the syrup world. In the summer of 2012, on one of those July days when the first hint of autumn cools the northern forest, Michel Gauvreau began his precarious climb up the barrels in St.-Louis-de-Blandford, a town outside Laurierville, where part of the Reserve was stored in a rented warehouse. Once a year, FPAQ takes an inventory of the barrels. Gauvreau was near the top of the stack when one of the barrels teetered, then nearly gave way. “He almost fell,” Cyr said, pausing to let the picture form. A small man, astride a tower of syrup, realizing, suddenly, there’s nothing beneath his feet. Normally, weighing more than 600 pounds when filled, the barrels are sturdy, so something was clearly amiss. When Gauvreau knocked on the barrel, it tolled like a gong. When he unscrewed the cap, he discovered it empty. At first, it seemed like this might have been a glitch, a mistake, but soon more punk barrels were found—many more. Even barrels that seemed full had been emptied of syrup and filled with water—a sure sign of thieves who’d covered their tracks. My God, they could be in Thunder Bay by now! In most cases, when a boring, bureaucratic job turns interesting, there’s trouble.
Long life to The Outline, Joshua Topolsky’s new venture :
The pattern is by now familiar: a famous person makes a comment that inspires controversy and, in turn, sets off a public discussion about a number of serious issues. By the end, nothing is illuminated and someone has probably haphazardly apologized, publicly. It’s part of a broader flattening of the worlds of entertainment and news. In the online ecosystem where the two reside — more than 60 percent of adults in the US get their news on social media — everyone competes for attention by appealing to the same core emotions.