One search turned up more than a dozen people visiting the Playboy Mansion, some overnight. Without much effort we spotted visitors to the estates of Johnny Depp, Tiger Woods and Arnold Schwarzenegger, connecting the devices’ owners to the residences indefinitely.
If you lived in one of the cities the dataset covers and use apps that share your location — anything from weather apps to local news apps to coupon savers — you could be in there, too.
If you could see the full trove, you might never use your phone the same way again.
→ The New York Times
40 years from now, the first Walkman was released. Crazy.
The first model of the first-generation Walkman personal stereos. Contrary to those inside and outside the company who claimed that “without a recording function, it won’t sell,” it became a huge success, proposing new lifestyles which became popular around the world.
I personally owned and used the WM-EX302.
Probability has been the mathematical language of uncertainty for over 300 years and has shown its usefulness in wide-ranging contexts from gambling to meteorology, economics, and political science. Used properly, it can help us learn from observation and construct better forecasts of what’s to come. But such forecasts are always subject to possibly flawed model assumptions. There will always be room for improvement. As the Danish aphorism goes: “It is difficult to make predictions, especially about the future.” What recent experience has taught us is that the alternative—listening to paid spokespeople and pundits, often biased toward conflict, prone to spin tales about momentum and upsets—is worse.
The radicalization of young men is driven by a complex stew of emotional, economic and political elements, many having nothing to do with social media. But critics and independent researchers say YouTube has inadvertently created a dangerous on-ramp to extremism by combining two things: a business model that rewards provocative videos with exposure and advertising dollars, and an algorithm that guides users down personalized paths meant to keep them glued to their screens.
The recordings that burned up in the Universal fire — like the songs that are blasting from car windows on the street outside your home, like all the records that you or I or anyone else has ever heard — represent a wonderment that we have come to take for granted. For most of human history, every word spoken, every song sung, was by definition ephemeral: Air vibrated and sound traveled in and out of earshot, never to be heard again. But technology gave humanity the means to catch sounds, to transform a soprano’s warble, a violin’s trill, Chuck Berry’s blaring guitar, into something permanent and repeatable, a sonic artifact to which listeners can return again and again.