Edouard Chazal

Trump Solo

Remembering my early years as a Trump appreciator :

A securities analyst who has studied Trump’s peregrinations for many years believes, “Deep down, he wants to be Madonna.” In other words, to ask how the gods could have permitted Trump’s resurrection is to mistake profound superficiality for profundity, performance art for serious drama. A prime example of superficiality at its most rewarding: the Trump International Hotel & Tower, a fifty-two-story hotel-condominium conversion of the former Gulf & Western Building, on Columbus Circle, which opened last January. The Trump name on the skyscraper belies the fact that his ownership is limited to his penthouse apartment and a stake in the hotel’s restaurant and garage, which he received as part of his development fee. During the grand-opening ceremonies, however, such details seemed not to matter as he gave this assessment: “One of the great buildings anywhere in New York, anywhere in the world.”

→ The New Yorker

Hairy Days as New Bond Shops Struggle to Dent $8 Trillion Market

In mid-July, Amar Kuchinad, a former Goldman Sachs Group Inc. banker turned bond entrepreneur, was sporting a thick beard. He refused to shave, he said, until his new company, Electronifie Inc., turned a profit.

As Electronifie competed among the dozen or more new electronic bond-trading systems to come on the scene in the last year, Kuchinad’s beard was growing conspicuously bushy. The new trading venues face the unenviable challenge of changing the behavior of bankers and investors who for decades have bought and sold corporate bonds over the telephone or by instant message.

→ Traders Magazine

American Woman : The Life Of Kim Kardashian

And as much as her thoughts and actions on this Earth may be quotidian, the way she looks is out of this world. As she strides into the meeting precisely on time and in an outfit made up of colors found exclusively in nature — dark-green ankle-length dress, sand-colored lace-up sandals and tree-bark Céline purse — the effect is like a photorealistic painting, meaning that the Kardashian on the TV screen feels more real than the Kardashian in the room. She’s a jungle Aphrodite escaped from a forest of big-booty nymphs, with a mane as thick as a horse’s and as black as volcanic rock. Her eyelashes flutter like teeny-tiny go-go dancers’ fans. Her nails are small, elegant talons, painted a color that manages to be both onyx and the bloodiest red. But it is Kardashian’s body that is the thing, of course, and today, as always, her clothing is so tight it feels transgressive, clinging in particular to that strange, glorious butt, a formerly taboo body part that is now not only an inescapable part of the American erotic but also our best and most welcome distraction from climate change, income inequality and ISIS.

→ Rolling Stone

The Greek Warrior

A few years ago, Varoufakis told Yorgos Avgeropoulos, a documentary filmmaker, that the difference between a debt of ten thousand euros and one of three hundred billion euros is that only the latter gives you negotiating power. And it does so only under one condition: “You must be prepared to say no.” Upon his election, Varoufakis used the less than ideal influence available to a rock climber who, roped to his companions, announces a willingness to let go. On behalf of Tsipras’s government, Varoufakis told Greece’s creditors, and the world’s media, that his country objected to the terms of its agreements. This position encouraged widespread commentary about Greece following a heedless path from “no” to default, and from default to a “Grexit” from the euro currency, which might lead to economic catastrophe in Europe and the world.

→ The New Yorker

Why Museums Are The New Churches

If churches and cathedrals once stood at the top of the architectural hierarchy, today the museum is the building form that every serious architect dreams of designing. The financial Medicis of the 21st Century are not throwing much money at religious institutions – but a new museum, especially one offering naming rights, can attract the sort of budget that would once have been reserved for a cathedral.

And on our relationship to art :

The art museum has supplanted the church as the pinnacle of architectural ambition, but a more curious ecclesiastical shift may be taking place inside the museum’s walls. These days we frequently use religious language when talking about art. We make ‘pilgrimages’ to museums or to landmarks of public art in far-off locales. We experience ‘transcendence’ before major paintings or large-scale installations. Especially important works – Mona Lisa at the Louvre, most famously – are often displayed in their own niches rather than in historical presentations, all the better for genuflection. What is the busiest day of the week for most contemporary art museums? That would be Sunday: the day we used to reserve for another house of worship.

→ BBC