Culture – Page 11 – Abnormal Capitalist

Michel Houellebecq : It’s Not My Role To Be Responsible

Some intellectuals said Houellebecq had been “irresponsible”. The media pressed him to apologise. Where once he was a bolshy rebel outsider, he now has a godlike status as France’s biggest literary export and, some say, greatest living writer – so what he says counts. But he denies any “responsibility”.

“It’s not my role to be responsible. I don’t feel responsible,” he says. “The role of a novel is to entertain readers, and fear is one of the most entertaining things there is.” To him, the fear in Submission comes in the dark violence at the novel’s start, before the moderate Islamist party comes to power. Was he deliberately playing on a mood of fear in France? “Yes, I plead guilty,” he says. For Houellebecq, the job of a novelist is foremost to hold a mirror up to contemporary society.

→ The Guardian

Secret Art Storage Facilities Under Scrutiny

Don’t hate the player, hate the game.

Oligarchs cannot be blamed for being extra-opportunistic anyway.
That said, art has been commoditised for too long without being properly regulated.

Nearly a third of art collectors and professionals surveyed last year by Deloitte Touche Tohmatsu Ltd. said they had used a freeport. Experts speculate that the freeport in Geneva, which traces its roots back to 1854 and is controlled by local authorities, may house the most valuable art collection in the world—although its holdings are generally secret.

Someone interested in laundering money could arrange to use ill-gotten funds to purchase a painting inside of a freeport, Mr. Palmer said, and then resell the painting inside of the facility a few months later. Experts say it can be difficult for a customs official relying on a printed summary of a sale conducted inside a freeport to know for sure if the amount exchanged was appropriate, or if a painting that was purportedly sold was real.

→ The Wall Street Journal

Remembering Eric Wright

From left to right : MC Ren, Dr. Dre, Eazy-E, Ice Cube

Could N.W.A have existed without him?

N.W.A would have not existed without Eazy-E. No doubt in my mind. He was bold and not scared of anything. He was 21, 22, I was 16 — to me he was fearless. That’s what he brought. “I don’t want to do no corny ass records that try to get on the radio. I want to do hardcore records about what the hell is going on around here.”

Credit : Timothy White

→ Billboard

The World’s Greatest Jeweller

Poppy Brooch, diamond, tourmaline, and gold, 1982

Unlike the big, heavily branded jewellery firms—Cartier, Graff, Harry Winston—JAR has just one small shop, a blank-fronted place in a dull plaza in Paris, and doesn’t spend a sou putting adverts in glossy magazines. Or indeed anywhere. Because secrecy is JAR’s secret weapon. You won’t find the shop’s address in any directories; as a rule, would-be customers have to be vetted and introduced, like Freemasons, by a friend. Rosenthal himself maintains a Garbo-like silence in the face of the press, giving only a handful of interviews in his 37-year career and—at least partly for reasons of security—never, ever allowing himself to be photographed.

→ Intelligent Life

Why Museums Are The New Churches

If churches and cathedrals once stood at the top of the architectural hierarchy, today the museum is the building form that every serious architect dreams of designing. The financial Medicis of the 21st Century are not throwing much money at religious institutions – but a new museum, especially one offering naming rights, can attract the sort of budget that would once have been reserved for a cathedral.

And on our relationship to art :

The art museum has supplanted the church as the pinnacle of architectural ambition, but a more curious ecclesiastical shift may be taking place inside the museum’s walls. These days we frequently use religious language when talking about art. We make ‘pilgrimages’ to museums or to landmarks of public art in far-off locales. We experience ‘transcendence’ before major paintings or large-scale installations. Especially important works – Mona Lisa at the Louvre, most famously – are often displayed in their own niches rather than in historical presentations, all the better for genuflection. What is the busiest day of the week for most contemporary art museums? That would be Sunday: the day we used to reserve for another house of worship.

→ BBC