Bowie: The Man Who Sold Royalties and Brought Music to Bonds

Credit : Terry O’Neil

Sure, this might be the last thing to come up when remembering Bowie, but hey—that’s genius :

The man behind “The Man Who Sold the World” was the first recording artist to go to Wall Street to tap the future earnings of his music, paving the way for a thriving market for esoteric securities backed by everything from racehorse stud rights to commercial washing machines.

David Bowie, who died from cancer at age 69 on Sunday, sold $55 million of bonds in 1997 that were tied to future royalties from hits including “Ziggy Stardust,” “Space Oddity” and “Changes.” Following his example were singers James Brown and Rod Stewart and the heavy-metal band Iron Maiden. Securities backed by royalties allow artists to raise money without selling the rights to their work or waiting years for payments to trickle in.

“Bowie’s bonds were as groundbreaking as his music,” said Rob Ford, a London-based money manager at TwentyFour Asset Management, which oversees 5.3 billion pounds ($7.7 billion). “Not only were they followed by a number of other artists, but they set the template for deals backed by a whole range of assets.”

And to conclude :

Bowie “changed the way people think about art and commerce,” Pullman said.

See you on Mars.

→ Bloomberg

How to Fix a Monet After Somebody Punches It

Conservators are probably the closest thing the art world has to surgeons. With care and precision, they repair wounds caused by old age, negligence, and, every once in a while, crazed attackers — as happened in 2012 to Claude Monet’s “Argenteuil Basin with a Single Sailboat.” Painted in 1874, it was punched by an angry madman as it hung in Ireland’s National Gallery.

The team tasked with repairing the artwork had their work cut out for them. The assailant had left a massive triangular tear in the middle of the canvas, and some of the paint had been so badly pulverized that it couldn’t be reattached. Over the course of two years, conservators worked carefully to repair the painting and restore it to its original condition. A true labor of love [abridged].

→ Hyperallergic

Charlie Brown Never Found His Little Red-Haired Girl, but We Did

The romance between the artist, Charles Schulz, and his muse, the little girl with the red hair :

In the Peanuts Sunday strip that ran on November 19, 1961, Charlie Brown sits down to lunch, as usual, accompanied only by his abundant anxieties. He watches longingly as the other children enjoy themselves, laments his aloneness and unpopularity, and despairs over the lunch that he finds packed for him: a peanut-butter sandwich and a banana.

And, for the first time, he glimpses someone new in the schoolyard. “I’d give anything in the world if that little girl with the red hair would come over, and sit with me,” he says, to no one in particular.

→ Vanity Fair

The Invention Of The Wah-Wah Pedal

After a few days of fiddling around with spare parts, Plunkett succeeded in designing a circuit that could change the frequency of notes by simply rotating a potentiometer. Then, something unexpected happened:

“I went next door, and asked a friend of mine to plug a guitar into this pile of wires, resistors, and capacitors I had on the bench. He strummed a few chords while I turned the knob on the potentiometer. It went ‘WAH-WAH-WAH.’ We looked at each other, and said, ‘Wow! This is really great!’”

And it looks like this :

→ Priceonomics

Why The World’s Most Famous Acoustic Architect Says His Design Strategy Is To ‘Just Pray’

There are all kinds of theories about what makes a room sound good. One of the leading researchers in the field compares concert hall acoustics to tasting wine: some characteristics are easyily classifiable, but perception and taste are part of the equation, too. Another has suggested that understanding the way sound reflects in a room, not the shape of it, is the critical component to good concert hall design.

But the craziest theory comes from a researcher named Zackery Belanger. He thinks that acoustics is primarily a geometric problem, a theory so radical that he was forced out of his Ph.D. program because his advisor disagreed with it.

→ Fusion