The Rise Of Autism

Credit : Eric Petersen

A recent study in JAMAPaediatrics, a science journal, calculated that the lifetime cost of supporting an American with autism was $1.4m-2.4m. Paul Leigh of the University of California at Davis and Juan Du of Old Dominion University have added up not only the cost of care but also the opportunity costs of autism in America. They include an estimate of the output lost when autistic people are jobless or underemployed, and when their relatives cut back on working hours to look after them. They put the total at $162 billion-367 billion in 2015, the equivalent of 0.9-2% of GDP, on a par with both diabetes and strokes. By 2025 the figure could exceed $1 trillion, they predict. Confronting autism is costly, but failing to do so may cost even more.

→ The Economist

Who Funds the Future?

“The biggest outcomes come when you break your previous mental model. The black-swan events of the past forty years—the PC, the router, the Internet, the iPhone—nobody had theses around those. So what’s useful to us is having Dumbo ears.” A great V.C. keeps his ears pricked for a disturbing story with the elements of a fairy tale. This tale begins in another age (which happens to be the future), and features a lowborn hero who knows a secret from his hardscrabble experience. The hero encounters royalty (the V.C.s) who test him, and he harnesses magic (technology) to prevail. The tale ends in heaping treasure chests for all, borne home on the unicorn’s back.

→ The New Yorker

The Secret Six

Credit : Paul Barshon
Still, the FX holds a special place on his long list of accomplishments. Garella often visits the US to attend events like the Pebble Beach Concours d’Elegance in Monterey, and in 2007, he looked up the Marconi Museum and made the trip down the coast to Tustin. Dick Marconi was waiting for him, and the two posed for pictures with the FX — a legend created by one and saved by the other. The car wasn’t running then, but its futuristic carbon fiber was still there; as were its eye-popping design, and its embattled but ambitious transmission. Its advancements in design, construction, and technology make the FX a sort of automotive missing link.

“The FX was definitely ahead of its time for having a semi-automatic gearbox,” says Kim.

Credit : Paul Barshon

“The Sultan and his brother really were R&D for many high-end automakers. They were building custom bespoke cars that not only had unique bodies and interiors, but sometimes exotic technologies. And the money was limitless.”

Credit : Paul Barshon

→ The Verge

Your Life Is Tetris — Stop Playing It Like Chess

The decision to quit was liberating, terrifying, and confusing. Why did I feel so free when I had given up one of my first loves? But quitting felt good for the reason that starting to play chess felt right in the first place—it was entirely my choice to do so. And with that decision, my competitive, causal chess mindset began to weaken, and my perspective finally cleared.

Meanwhile, Tetris began to fill my gaming void. I play Tetris every day, and every day I pick up the game knowing that I will lose. How long will I play before I lose? How fast will the pieces go? How much will I score? Those are the metrics the game tracks. But I added a way to win—I win if I play Tetris every day.

→ Quartz

The Buddha Of Kabul

Credit : Steve McCurry
When I first came to Kabul, I had, like so many others, known it through war. Moments like these forced me to ask myself why it should come as a revelation that a 3,000-year-old city has layers that are diverse and different from its present. It says something about the way we perceive and talk about Kabul. Perhaps it is just human nature to ignore what is buried and only pay attention to what is apparent and overt. But occasionally, the city raises an aspect of its past almost as if to prove that it did exist, as a reminder of how much is lost, and how much remains within.

• • •

These links to the past are so fragile, made of clay and dust. So easy to break, so easy to return to the earth they came from. Yet these are also the objects that remind the forgetful world, and Afghans themselves, of what they used to be, of the confluence of ideas and civilizations that formed their khak, their ancestry. When I asked Zafar why he works so hard to excavate and preserve the material remains of Afghanistan’s history, he replied flippantly, “Because I am in love with Buddhism, and archaeology.” If so, it is a fraught romance, as the country’s past has been erased over years of war, and now, over an uncertain, uneven peace. Zafar has learned to be like the patient lover of a volatile partner. He cherishes what he has, without asking how long it will stay.

→ Guernica Magazine